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musings on the photographic experiences of keith greenough
Browsing All Posts filed under »David Octavius Hill«
Rotarians (after Hill and Adamson)
I’ve been continuing to make portraits of the members of my local Rotary Club, Rotarians (after Hill and Adamson). I have been doing this work alongside my 45 seconds… project, using the 4×5 camera. The poses are based on those used by Hill and Adamson in their Calotype photographs made in the mid 1800s. When looking at […]
Long Exposure Portraits – Further thinking
November 10, 2012
I have been making some excellent progress with this project. I have now signed up 12 ‘models’ from my Rotary Club. I will be scheduling sittings in my home studio in four/five afternoon sessions over the next four weeks. I hope to finalise the schedule by the end of next week. I really only need […]
Long Exposure Portraits Update
November 7, 2012
This project is proving the most elusive I have undertaken so far. I have moved my ideas around quite a bit as I have tried things and they have not worked as well as I would have liked. This post sets out my latest thinking as a result of work I have recently undertaken. I […]
Long Exposure Portraits – Further Thinking
October 26, 2012
I have been developing my ideas on this project which I need to work on over the coming three months. I have decided to do a series of portraits in line with the ideas expressed in my previous post here. The portraits will be modern day takes on the portraits made by Hill and Adamson. […]
Long Exposure Portraits of Photographers – David Octavius Hill and Robert Adamson
September 23, 2012
The Scottish painter and arts activist David Octavius Hill formed Hill & Adamson studio with the engineer and photographer Robert Adamson between 1843 and 1847 to pioneer many aspects of photography in Scotland. Amongst their subjects were a few that have particular relevance to the history of photography and photographic societies in Edinburgh. I have collected […]
Long Exposure Portraits
September 14, 2012
The procedure itself caused the subject to focus his whole life in the moment rather than hurrying on past it: during the considerable period of the exposure the subject as it were grew into the picture, in the sharpest contrast with appearances in a snapshot… This is a quotation from Walter Benjamin’s Essay A Short […]
photo-graph 
January 30, 2013
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