The procedure itself caused the subject to focus his whole life in the moment rather than hurrying on past it: during the considerable period of the exposure the subject as it were grew into the picture, in the sharpest contrast with appearances in a snapshot…
This is a quotation from Walter Benjamin’s Essay A Short History of Photography published in 1931 (Benjamin). Benjamin is referring to the effect of long exposures on the subject of a portrait. He refers also to comments made by the painter Emil Orlik, who was a contemporary originating from Prague. Orlik suggested that early photographic portraits had an expressive coherence due to length of time the subject had to remain still. Benjamin refers to the work of David Octavius Hill the Scottish painter and photographer as being exemplary in this regard. Hill used the Calotype process.
On reading this I began to wonder. Were Benjamin and Orlik correct about the effects of asking the subject to remain still for a long period. Does such a procedure really result in ‘expressive coherence’. For my next assignment I thought I would tackle this question head on by making a series of portraits which will be aimed at testing this hypothesis. The same set up will be used for each of the portraits to enable comparison. I have not fully defined the scope of this work yet and it will evolve over time. To begin with I plan a series of self portraits. I will use the same set up (lighting, background, etc) for each portrait but will vary the way I pose. To begin with I plan to explore the following alternatives:
- Normal short duration portrait frontal neutral expression
- Normal short duration portrait frontal smiling
- Normal short duration portrait frontal reading
- Normal short duration portrait averted gaze neutral expression
- Long exposure portrait frontal neutral expression
- Long exposure portrait frontal smiling
- Long exposure portrait frontal reading
- Long exposure portrait averted gaze ( this was David Octavius Hill’s technique)
I will also introduce variations of the pose with my body/head supported (as was the case for DOH long exposures) and not supported. If the work is successful in the self portraits I plan to encourage a few other willing volunteers so that I can broaden the base of my research and add more meat to the assignment.
For the long exposures I hope to use a pinhole camera – this is also my way of simulating the relatively crude equipment available to DOH in the mid 1800’s. I am not sure if this will be possible but I have begun testing. Here is an early test shot made with a Hasselblad 503CM with a Skink Pinhole attachment (f/192, 73mm) shot on Ilford Hp5 (ISO 400). It is a 6 minute exposure. There is much wrong with this photograph but I have learned from the process.
The following observations for improvement are immediately apparent:
- 6 minutes is too long, my facial expression is blurred out! I will need to use lights and I plan to use the modelling lights on my Elinchrom Quadra portable studio lights for this purpose. I need to keep the exposures to around the same as Hill used – more research on this is needed.
- The background is distracting I need to use a curtain or plain background behind.
- I need to make sure that my clothing contrasts with the selected background and that my face is the lightest element of the portrait – it is the face I am interested in.
- The framing was off (I have had to crop). I need to set up the camera with an 80mm lens first than install the pinhole attachment.
- I need to set the exposure for the face rather than a general reading. Ambient reading at the face level is the technique to deploy. I used an iPhone app for this photo.
- I am not sure about the book….could be a distraction.
- The table works well for the supported poses. I will also need to devise a standing pose set up.
Much to do. Not sure if it will work but as an assignment it follows on from other work I have done which has been aimed at looking at ways to capture portraits where the subject is distracted from self conscious posing….
Catherine
September 15, 2012
This is looking good and you’ve got me wanting to try it out! Can you do the ambient reading of the face with the iphone app (which I think is quite good). For me, the thing about the book is that it gives you something to gaze at and allows your eyes to move so maybe the blink rate is slower and you’re more relaxed, and, of course, there’s distraction.
I’m looking forward to seeing where this goes.
Keith Greenough
September 15, 2012
No you can’t use the iphone app to do an ambient reading but what you can do is to put it into reverse mode so that you can see yourself in the screen, tap the screen on part of your face not in shadow so that it is taking the reading from that area and then open up one extra stop to set the exposure of your face at plus one, which is usually about right for caucasian skin….give it a try to see if it works….I too am looking forward to seeing where this leads….not quite sure as yet but we shall see.
Catherine
September 16, 2012
Good tip – thanks, I’ll try it.
Eileen
September 17, 2012
It is fascinating to follow your development of the idea and process. In this picture I agree that the book doesn’t work. it’s too big and too bright – a smaller one, perhaps with pictures on both pages so they are both dark or else without too much light on it, would be less distracting.
I think this technique will be most interesting when you are not offering a distracting prop though – when you or the subject just has to hold their gaze for an extended period. I know this has been done in photography before but was a staple of portrait painting for many centuries and it might be interesting to look at some paintings. Jan Van Eyck’s Portrait of a Man with Red Turban in the National Gallery comes to mind (perhaps because it might be a self-portrait, but also because of the wonderful light and compelling direct gaze). There’s a lovely portrait of Henry VII in the National Portrait gallery that comes to mind also, and any number of High Renaissance masterpieces. I am sure from looking at his work that DOH knew his artists and that maybe could be a useful line of research also.
Keith Greenough
September 17, 2012
Thanks for the ideas Eileen…I am feeling my way forward with this one. I know what I want to examine in the work….that is ‘how do long exposures influence the pose of sitters in photographic portraits?’ but just exactly what the final work will look like I don’t yet know. This is why I plan to do some experimentation using myself as a model. The experimentation is about both technical/process issues and also an examination of how the long exposure appears to influence the pose….we shall see