My wife and I had a few days away in Miami. We used up some air-miles points to take us to the sun! I took along my 4×5 camera with the aim of capturing some architectural shots of the Art Deco buildings in South Beach where we were staying. My plan was to make some photographs in the early mornings when there were few people around.
After some scouting it was pretty clear that photographing the hotels and other buildings was going to be difficult given the number of cars and other detritus around them. On the other hand I was very taken by the colourful Art Deco ‘style’ lifeguard stations along the beach. I decided to make a series of photographs of these structures in the early morning, just before and just after sunrise. I used my iPhone to try out some different compositions and decided on a view looking out to sea at 45 degrees. This meant that the backdrop to the buildings was sand and sea, which would add to the consistent look of the photographs. My idea was to create a typology after the style of the Bechers with a view to creating a grid of photographs for display. The Bechers would have chosen a frontal perspective, flat lighting and black and white film. My use of colour, ‘golden hour’ light and a diagonal perspective is altogether more expressive!
I used Kodak Portra 400 and was interested to see how this film responded to the changing light conditions. In fact what happened was that the film captured the nuances of the differing light very well leading to some colourful results.
I also saw this project as another opportunity to practice with my large format camera – this time on architectural work. On a practical level I had some small difficulties with loading the film into two of my six film holders. These were Toyo holders rather than Fidelity which I have generally used. The result was that I had not loaded the film properly into these holders and the negatives were not straight and in one case out of focus. I have made a note to take special care in loading the Toyo holders in the future.
In total I made 24 images. Roughly three for each station. I spent about 45 minutes on each of four mornings on the activity – the beach was very close to our hotel. We were there for five mornings – the first was a reconnaissance. In post processing after scanning, I made some slight changes to the white balance for a few of the images. I also increased the contrast and vibrance a little and applied some sharpening. Here are my final set of 8 lifeguard stations.
Catherine
April 26, 2013
Definitely more expressive. I remember those lifeguard stations. Kodak Portra looks a good film. Would you recommend it?
Keith Greenough
April 26, 2013
Yes Portra 400 is an excellent film. Nice colours, quite fast (I shoot it at ISO320), holds highlights well and pretty sharp. Fuji Pro 400 is another film to try. I would stay clear of Portra 160, it is designed for use with studio lights.
Catherine
April 26, 2013
Thanks Keith. I’m using Fuji Superia at present.
Stephanie Dh
April 26, 2013
The use of the Portra is working very well with your subject, this is also one of my favorite film, I’ve tried Fuji Provia at ISO 1600 lately and the result is also very interesting. in a totally different way – it gives a disquieting look to my subjects when Portra create a more joyful atmosphere.
Yiannitsa Cegarra
April 26, 2013
Really nice series indeed. Are planning to expand this project?
So, if you shoot it at 320 do you still have it developed at 400?
Keith Greenough
April 26, 2013
Yes shoot at 320 and develop at 400, deliberately overexposing by about 1/3 stop. The film is very tolerant of highlights but blocks up in the shadow areas. Underexposure is to be avoided. It is always possible to adjust the final look of the image at the printing (traditional darkroom) or post processing (digital darkroom) stage.
Yiannitsa Cegarra
April 26, 2013
Thank you Keith, that’s very helpful.
jsumb
April 26, 2013
There is a surreal air to South Beach, and these candy coloured constructions seem quite in place when you are there, it’s a good short series, blow them up really large or print them postcard size – what to do? Apart from a fatal shooting right outside the hotel entrance where I stayed a couple of years ago I thought that the ‘front’ would make a terrific venue to make a study. I’m thinking of the ghost of Winogrand perhaps, who did use colour early on, to ‘look’ at the posers in their pimped up cruisers and paraphernalia.
Keith Greenough
April 27, 2013
The front these days is very touristic….not so many pimps and cruisers. but lots and lots of people and normal cars….I think I will keep the prints small and frame as a grid….we’ve just had a new kitchen installed so may use them there to add some colour…